When I was a kid, rock bands didn't design tours around playing a single album beginning to end. We the fans had to settle for listening to the hits at rock concerts.
You'd think a concert of nothing but hits like Howard is hearing tonight at the Fargo Dome would be perfect, but sometimes it's more perfect to hear a whole album, especially if you love it and have played it many times through. I didn't regularly listen to any Elton John albums beginning to end because I didn't own any. Probably Howard did, but would still prefer to hear the hits tonight.
My friend Tim recently confessed that he didn't particularly care for the full-album concert: there is no mystery as to what the next song is. For this, the priest told him to say three Hail Marys and an Our Father, and to sin no more. I'll concede that it can be fun to guess what the band will play next, but when I'm listening to an album I love, I'm rarely disappointed that I know the order of songs. Preparing for a climax that you know is coming any minute can be enormously invigorating.
I've seen four of these one-album shows, and I'm all for them. First I saw Liz Phair doing Exile in Guyville at the Paradise Rock Club in good old Allston, MA. Then Mike Doughty, twice, doing the first and best Soul Coughing album, Ruby Vroom, which includes "Screenwriter's Blues" and "True Dreams of Witchita," two of many "hits" for Soul Coughing fans on this album. And most recently, I saw the Irish American punk outfit Titus Andronicus do The Monitor beginning to end and back to beginning again (they played the first track twice!).
Now I'm ready to lead a campaign in which we the public conscript the band Spoon into service playing A Series of Sneaks beginning to end. Either that or Telephono, their first album.
Not sure if it will be an old-fashioned letter-writing campaign or if I'll employ social media. Stay tuned on those details.